Ckcw what was that song

Here's how to do it:. From your smartphone or tablet running Android 4. Selecting this option will allow you to install apps outside of the Google Play store. Depending on your device, you can also choose to be warned before installing harmful apps.

This can be enabled by selecting the Verify apps option in the Security settings. On devices running an earlier version of Android, go to Settings, open the Applications option, select Unknown sources, and click OK on the popup alert. The next step will be downloading K You can either download the APK file on your mobile device or on your computer, although the latter is a little more difficult.

Next, go to your app drawer and click Downloads; here you will find the file you just downloaded. Open the file and install the app. If you downloaded the APK file on your computer, the process is slightly different.

The next step is to drag and drop the file onto your device. Then, using a file manager, such as Astro or ES File Explorer, you can locate the file on your device and install it. You can run Android apps on your computer using an Android emulator app. There're many Android emulators but in this tutorial we use BlueStacks. It's available for both Mac and Windows. Installing BlueStacks is a very simple process. Jim is a career broadcaster and a career Telemedia associate. Jim brings a long history of involvement in broadcasting in Atlantic Canada to his position.

Jim began his career a few kilometres from here, in Amherst. Telemedia is a unique Canadian success story in that we have significant operations in both English and French Canada, both large and small markets, with a wide range of formats. Telemedia is committed to building a unique, strong, high quality Canadian radio company.

We are singularly committed to radio as that is our exclusive area of operation. Approval of our application for a new Moncton station is of fundamental importance to our development in Atlantic Canada. We believe that we have a high-quality application that will bring a strong, new voice to this market, will increase programming diversity significantly, will give new Canadian performers in the CHR genre their first chance at exposure and overall strengthen the broadcasting system in this region.

One involves the francophone market, for which there is one commercial application, and the other involves the anglophone market. There are three applications for the anglophone market, which is well defined as Atlantic Canada's second largest radio market and well able to handle a new licence.

And this is the market we wish to address today. It will play music from the CHR genre. Our station will be unlike any other station now in Moncton. Maritime Broadcasting System owns both of these stations. In contrast, the average listener spent The average listener spent The average listener listens 7. A detailed summary of the research is on file, so we will only cover the highlights.

Eighty-three per cent of those 12 to 24 felt a new station should be for them. In contrast, only 50 per cent of those over 25 believe their age group should be the focus of a new station.

Almost half of the respondents would like a new station in Moncton to play current music. As the respondents get younger, the demand for current music rises. Three of four listeners aged 12 to 24 prefer -- favour current music over classic rock. The research at page of that application indicates that 70 per cent of respondents 18 to 54 are very likely or somewhat likely to listen to a new Top 40 current music-based station.

Top 40 is by far the strongest choice among the formats. The proposal before you today is targeted directly at them. Our programming, news, production, marketing, community involvement and Canadian Talent Development will be focused on the younger audience.

The core of that audience will be 12 to Our newsroom will be a new, independent news voice in the market. It will focus on news of interest to young listeners.

We will provide live local news and sports coverage. Our Moncton station's affiliation with our other Atlantic operations will facilitate distinct regional news coverage. Our presence in Moncton will represent a significant increase in diversity of news voices. Our era balance will be tilted very heavily towards current music.

In Moncton, there is a country station, an adult contemporary station and an adult rock-oriented station. We will execute a format that will be distinctly different from any of the existing stations. In short, no listener will mistake Telemedia's station of today for one of the other Moncton stations. These include an on-air Job Line, Club Nite, Cyber Bits and a weekly show dedicated to emerging artists on the east coast music scene.

We will briefly outline this program. The New Brunswick Government has reorganized educational funding. Local school boards are gone, replaced by school advisory committees. The end result is less emphasis on so-called specialty programs and an increasing challenge to maintain school band programs. There is a tremendous need for support at the most basic level. School advisory committees from Districts 2 and 4 will administer these funds with input from an advisory committee of teachers that will consider proposals for the use of these funds to ensure that the most beneficial programs are supported.

Our Search will be heavily promoted on air for a two-month period. A judging panel consisting of a professional recording artist, a record company rep and our Moncton Program Director will judge entrants.

The two winners will each have their CD played on air, will receive advice on how to have it racked in local outlets and will have public appearances in the following 12 months promoted on air. And if they have succeeded in achieving at least regional distribution, they will receive support and promotion on other Telemedia Atlantic stations that have appropriate formats.

We see this as an excellent springboard for developing local artists. Telemedia Radio Inc. We work for Partners for Youth in Fredericton by coordinating their fund raising activities and providing on-air support.

This program is broadly supported by both national and regional companies, service clubs, schools and charities. In Moncton, we intend to become the champion for this program. It is a logical extension of our youth-oriented focus. This will be the introduction of Partners for Youth to Moncton. This program is so successful that Senator Ross is being awarded the Order of Canada for his work with it.

Statistics Canada's economic indicators are all positive and the strongest in the region. All applicants here agree that there should be expansion of choice for Moncton listeners. Our proposal will be cash flow positive after year one, and by the end of year five, we forecast financial operations that will be fully in line with other Telemedia stations. We mention this only as assurance that our Moncton station will be fully capable of keeping its commitments in providing a strong new service to Moncton.

This station will be operated independently of our other Telemedia Radio Atlantic stations but will have the full benefit of our infrastructure and expertise. All programming will originate locally. Telemedia will provide state-of-the-art equipment. This will be a facility our staff will be proud of. We intend to expand and create Atlantic Canada's third major radio broadcasting company. This application is one step towards that goal, but a key step given the strategic location of Moncton in the economic and cultural life of Atlantic Canada.

We believe the entire broadcasting system will benefit from the presence of another strong participant. We now need your approval and respectfully ask for it.

Thank you. I have technical questions, a clarification regarding the employment equity aspect of your proposal, and finally, I will ask you to comment as a somewhat of a wrap-up on your view as to what the most important criteria are which the Commission should consider in awarding a new FM licence in this market.

BEAUDOIN: Not necessarily because I think the key point here is that although the study indicates that the younger listeners said yes, we tend to listen more, what we found quite interesting is when you compare the time spent listening to radio from the younger market versus what could be called sort of a kind of a national average, you will notice that in Moncton, it is extremely low.

You look at the total tuning in Moncton today for the teens. It's about 65, hours tuned. That represents roughly 6 hours a week. And actually, if you look specifically to the two FM that are sort of most tuned in by the younger market, it is essentially what you will have, around 6 to 6.

So for us, it sort of confirms that the teen tuning to radio -- also the research might have indicated that maybe it's grown, in our view it's still significantly below what one could call the Canadian average. What are they currently listening to?

One, CKCW AM, is extremely unique with its country format, reaching really the 35 with a strong skew against the 35 plus market. Then, you have an adult contemporary station, which tends to skew 15 to And then, you have the adult rock oriented station, which will skew 30 plus.

Those are the three formats available in this market. But their tuning to these two stations is significantly lower that one could expect tuning to radio.

That's exactly what we read from the BBM. It's interesting also to note that our own research indicated that out of the two, CFQM is being perceived as a broader format and therefore will tend to attract the broader audience.

So this is definitely confirmed. I think in your brief, you even referred to a void of current music.

HAMM: Madam Chairperson, there is in the music industry today and the radio industry today what we could almost refer to as a shared pool of music among radio stations. And I might point as an example to the recent success of the Grammy Award-winning song by Santana called Smooth. It's a song that charted on alternative radio stations, rock stations, active rock stations, AC stations, hot AC stations and CHR radio stations.

In fact, probably the only mainstream format that did not play that song was country and possibly jazz, if there were such a format. HAMM: There is. Well, my point is that there is a pool of music that is being shared by a number of different formats right now, and this is a function of the music industry as much as it is of the radio industry.

That kind of music sharing already takes place in this market today, between the radio stations that are here. There are traditionally rock artists that are now appearing on AC and hot AC.

There's a lot of crossover going on. We will share some of that music as well. Beaudoin's comments and your questions regarding the usage of the two radio stations that exist in this market today. There is no one radio station that serves specifically the interests of this 12 to 24 demographic, which is why they have to use multiple radio stations in order to find what they're looking for. Their decision-making process on what music to play and what music not to play is based on that adult demographic.

You mentioned 60 per cent CHR is different, but can you give me some examples of how it's different? Why is this specifically dedicated to this group, since they can already find this music elsewhere?

HAMM: But they can't find all of this music. Again, the line is drawn as to how far any radio station will go with a certain genre or a certain style of music because that decision is weighed against their target demographic. Six out of every 10 songs that we play are songs that are not currently heard.

And yet, this is music, this is a style of music that is reflective of the likes and dislikes of the 12 to 24 demographic.

It is a style of music that is reflective of the entertainment values and lifestyle values and cultural values of this demographic, not necessarily reflective of somebody who is in an older demographic. HAMM: There is, and that's the 30 to 40 per cent that we referred to, absolutely. And that's why all of the sharing occurs within radio stations today. But we still maintain that there is a uniqueness to the 50 to 60 per cent of the music that will be unique to this radio station.

If teen listeners today are not fully satisfied with the radio stations that they hear in this market, part of that may be because the music era that is covered by these stations is anywhere from to today. If you took a typical target listener of ours for this radio station, much of this music, when it came out, they were not even alive.

So it's very difficult for them to relate to this music. The era balance for the radio station that we propose will probably be no older than three years, which gives it its very current base. You've also raised some interesting comments this morning on the differentiation as you see it. Of course, that's against total tuning. If I convert that into local tuning, that really means 17 to 18 per cent.

And with the increased tuning from the teens we will get, five years from now, So we are tabling and forecasting five years from now, and this will start from 12 to 13, up to Here's how we see it. That station has very little tuning against the 12 to 24, actually.

And even those that are tuning will most likely remain. This is a very unique format. You have the country fans, a loyal audience against that country format. All agree with this. Well, here's the assumption that we went through, and based on our research.

If you apply Well, the CFQM currently owns So this five years from now would be at So 25 plus, CKCW would remain at So that means that Maritime Broadcasting would continue to hold 45 per cent of the hours tuned and still dominate the market; and CJMO, from 45, would be at So both stations would decline by about 10 points on their share of hours tuned, and that 10 points comes essentially from the tuning of the 12 to 24 and 20 per cent of the 25 to And secondly, persons who would increase their tuning when you go to air?

Apart from the audience you're drawing from the existing stations, will you draw any audience from persons tuning to out of town, and will you draw any audience from persons who increase their tuning when you go to air? So there's insignificant out-of-market tuning that we would be able to access.

Beaudoin has just outlined, there's about 20 per cent of it is coming from new listening within the market and the balance of it from the redistribution that he outlined. If the Commission were to approve your application and also award one or more English-language licences, what would be the impact on your business plan, particularly on projected revenues and audience share?

Losier and MBS was granted a licence, we strongly believe this would still allow us to go. And this is a very important assumption in our reading of this hearing and the market. For us, the CRTC has in front of -- on the table really two market applications.

We cannot comment today on the French Moncton. We didn't look at it. We didn't study it. Or, as I asked, if in preparing your projections, did you consider that there may in fact be one or more English licences awarded during this proceeding? Some of the applicants are non-commercial stations. Of course, that would not impact.

But again, our financial projections assume that the CRTC would be granting one station. So we did not look at the impact of adding two stations. They would really be competing with themselves more than they would be competing with our station. I mean, clearly there would be a revenue impact on the market of introducing another player.

It would significantly change the competitive balance, though, in the market. Approving your application with a French-language proposal, would there be less impact on your business than if we licenced yours and another English-language station?

What would be the impact on your projections? If, for example, the CKCW AM flip, for example, was granted, this would not really impact because we would still be working with a four-station market on the English side. There would be, if you were that English licence, in the wisdom of time, there would be no impact on your proposal, if there was a French licence also granted from this proceeding?

So just to make sure that I heard it right, a French licence, definitely no impact. And if there was another English licence, it really depends which one. So therefore, we believe that our financial projection would remain as is. I'd like to move to programming questions. You've added some comment and description of that programming this morning, and I'd like to explore that a little more with you. And I think this morning, you also referred to:.

We will be very different. What does this mean? What will make a difference in terms of news and sports programming for the youth market?

So, for example, if there was a decision to be made as between the latest news on a series of mergers and acquisitions, or news related to career opportunities or things that would affect university students, we would choose to run stories that are more directly relatable to our listeners.

And we will also be running news weekend mornings, and we are proposing in addition to cover sports of local interest to the community, and particularly the sports that is now university and high school related. All right, we can accept that for the moment, but on information programs, what would be particularly relevant to the local community and the information programs that you have proposed?

How will your -- in other words, how will your spoken word programming really be relevant to this community and to the target audience that you propose? I wouldn't want anybody to say the CRTC is working in the dark, so we'll have to wait, if you wouldn't mind, there. If this continues, I think we'll have to make sure it doesn't interrupt further our proceedings, because it is very disturbing for you, I'm sure. I was very interested in that, those programs, as to for example, who will host them, who will produce them, and when will they be scheduled?

And that will give us, I think, the snapshot in response to my question. EDDY: Thank you. There is one that I left out, that the lighting situation cut us off from, and that was the proposed East Coast Music Show. So if I could start with that one and work my way backwards.

We already run a similar program in Fredericton, and so our proposal would be to expand on that and implement it in Moncton.

So this is an opportunity for us to showcase the most current music available that is not now being played in this market -- that's the 60 per cent that Mr. Hamm was referring to -- on an interactive basis with representation of our target audience.

It's really about help wanted, part-time, full-time, that sort of thing. We consider it to be timely, given the age group that we're focused on and targeting. And it may also include things like helpful hints with respect to job opportunities, job search, training, et cetera, that kind of thing. Our view is that the target market for this radio station is intensely interested and affected by that area of activity, and so we propose to run programming, in a feature way, to address that.

Is this open line programming? Is it your intention to do open line programming? EDDY: No. What I meant -- with respect to Club Nite are you referring?

I assumed, but you also in your discussion just now referred to interactive programming. So my general question is are you planning open line programming? That wasn't clear from the brief EDDY: Well, typically what we do is we've made throughout our system a rather heavy investment in technology and among other things, what the technology enables us to do is engage in what would be, if you went straight air, live, Talk Back programming, but it would be edited and narrowed for broadcast.

Could you just come back to tell us again how this spoken word programming inclusive of the shows, or short segments that you just described, will in fact be of direct and particular relevance to this community?

EDDY: Well, all of it is relevant to the community in that it all -- first of all, it's intended to speak to elements of the community that are not now spoken to at all, significantly, by existing radio broadcasters. That is what this program is intended to do.

First, a point of clarification and then one other question. That's quite clear. The Commission may grant a licence for a term not to exceed seven years. So whatever is the duration of the licence, that it would be granted to us, then we would be committed to that annual amount for the whole duration of the licence.

Is Telemedia subject to the Employment Equity Act? Are you aware of any other available, comparable frequencies that could be used to meet your coverage objectives for Moncton? And if you could elaborate. We did not pursue any other further technical analysis on any other frequency, so this would need to be revisited by engineering. What, in your opinion, are the most important criteria which the Commission should consider in analysing your application? And how does your application meet those criteria?

BEAUDOIN: At Telemedia, we are -- you know, we are quite excited about this opportunity that we have today because we believe that there is a real need and an opportunity to offer a new radio station to this market. Which applicant, who's bringing to this market diversity? And we believe that on that front, our proposal adds definitely something new to this market. New in terms of format, a clear direction against the youth market, new in terms of news voice, bringing a third party, a third different news voice.

And Moncton is being so key in the whole area that bringing Moncton to what John and his people are already offering in terms of radio services will definitely provide to the Moncton community a third, strong local voice. I think this is part of our broadcasting system. Telemedia does recognize that the CRTC is looking for applicants that will be working towards reinforcing the broadcasting system through commitments to the Canadian Talent Development. This is just in continuation to your discussion with Commissioner Pennefather on the issue of English and French markets.

I accept your point that in terms of audience share, we're talking about two different markets because there was obviously some crossover, but probably not a great deal. So from the point of view of listeners, to a large extent you're talking about different listeners. Is another station not just another station, which means that the pie has to then be cut up into smaller pieces?

Commissioner, if that was the case, then it would raise a question in the last 10 to 15 years for the Montreal English and French markets, for the Ottawa English and French markets. So that would be my number one comment. Again, we at Telemedia did not really study the impact on the French market. But we believe that there is a French community here, in Moncton, that is strong and vibrant and if the CRTC in its wisdom, choose that for the benefit of the French community we should have an additional French licensee, we maintain that this should be seen as a separate licensee and I think that the market shall be considered strong enough to support these two communities.

That's always encouraging. We did not study that market, but we can appreciate that the CRTC might consider this French application. For us, this would not impact our business plan for English Moncton. Is that correct?

This has been added, and I'm pleased that you raise that point. We would like to insist that this be added to our brief. So you have discussed it with them and they have agreed to that?

EDDY: We haven't made any specific provision for particular events that we would cover, but we have a history in all of our markets in Atlantic Canada of covering local sports events and events of public interest, where warranted. EDDY: Yes, public service announcements are an integral part of the programming of all of our stations. I have , which means we will reconvene at We will reconvene at My clock is a little slow.

Merv Russell, Mr. Garry Barker, Mr. Darren Nantes, Mr. Brian Sawyer and Ms Denise Murray. Moncton is a fabulous city. It has a great culture of its own. It has a magnificent historical heritage that played a major role in the development of Canada. The food and hospitality is outstanding and I highly recommend the seafood chowder in the Auberge.

It's superb. But before we begin, would you please allow me the opportunity of introducing those who are with me. Nancy is Maritime Broadcasting's Employment Equity Co-ordinator and has been a member of our broadcast family for some 16 years.

Jim has been with our company for 25 years. He started as a copywriter many years ago. Garry Barker. Garry is also the Vice-President of Programming for our group and is responsible for all on-air product and any research associated with our stations. Garry has been with the Maritime Broadcasting family for some 15 years. Darren is new basically to our family.

He's been with us about two years. He's our Chief Financial Officer and will be responsible for the computer-generated slides which we hope to introduce as part of our presentation today. Denise was our Startrack winner and she had indicated that she could be with us. She wanted to be here today and express her support for our plan. However, she received a last-minute booking in the Ontario area, in the Orillia-Midland area, and today, she is doing video work for her upcoming CD.

She is one of the great indications of how CTDI is working. She had her family and as a mom, she allowed them to mature and then she said I am going to launch my career. She was our Startrack winner in and has gone on to tremendous new heights in country music in Canada. She extends her sincere regrets for not being here. But although we regret not seeing her, we are pleased that she is singing and well somewhere in Canada.

On my drive here from Halifax to Moncton, I got thinking about the significance of CKCW and what flared up foremost in my mind was that CKCW radio a long, long time ago, too many years for me to want to remember, was basically the inspiration of me getting into the radio business.

You had to get proofs of purchase to go into an auction, and I don't know what I won, but I sure remember the announcers' names. I think that's really what sparked my interest in radio way back then. This station was one of the first to go on the air in Canada, commencing back in service in Bennett was the prime minister at the time. Actually, he was born in Albert County, next door. Today, the AM signal of CKCW deteriorates profoundly upon sunset, eliminating coverage of the communities surrounding Moncton and affecting the quality of reception in many parts of the city.

Listeners want to be able to tune their car stereos and clock radios to their favourite station, knowing it will always be available.

Our inability to serve parts of the community means a reduction in audience, which inevitably translates into lower revenues. We see the real life evidence of these difficulties every day, through listener concerns and the loss of advertising due to our poor signal coverage. Damon Albarn 'completely severed' his finger making pesto music-news. James Blunt quips boozy tour rider is 'research' for his pub music-news.

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